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	<title>yuemingyue</title>
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	<pubDate>Sun, 09 Oct 2022 14:57:59 +0000</pubDate>
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		<title>CP 2022#04_My Feminine Creative Identity,2022</title>
				
		<link>https://yuemingyue.com/CP-2022-04_My-Feminine-Creative-Identity-2022</link>

		<pubDate>Sun, 09 Oct 2022 12:44:59 +0000</pubDate>

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My Feminine Creative Identity
《中国画报》总第883期，第10-12页，2022.04,《CHINA PICTORIAL》, Vol.883, Page10-12, April 2022, ISSN0009-4420


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		<title>她和她的“刺绣之屋”, September 2021</title>
				
		<link>https://yuemingyue.com/September-2021</link>

		<pubDate>Sun, 09 Oct 2022 14:40:06 +0000</pubDate>

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	她和她的“刺绣之屋”




《T风尚志》总第86期，第30-31页，2021年9月刊《T MAGAZINE》No.86, Page30-31, September 2021, ISSN 1673-7091


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		<title>Weaving the Stories of Women, June 2021</title>
				
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		<pubDate>Sun, 09 Oct 2022 14:04:04 +0000</pubDate>

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	Weaving the Stories of Women




《中国故事，国际表达》总第88期，2021年第3期，总第88期，双月刊《THE WORLD OF CHINESE》, 2021 ISSUE 3 BI-MONTHLY, No.88
ISSN 2096-7799See the web version：www.theworldofchinese.com/2021/06/tapestry-of-life-and-death-art/


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		<title>Me, We, Women, 2021</title>
				
		<link>https://yuemingyue.com/Me-We-Women-2021</link>

		<pubDate>Sun, 09 Oct 2022 14:57:59 +0000</pubDate>

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	Me, We, Women




Museum of Motherhood，采访于2021年6月
See the web version:
https://mommuseum.org/yue-mingyue/


	










Yue Mingyue, born in Liaoning in 1996, is currently working and living in Beijing as a fiber artist. She began to study fiber art in the Department of Arts and Crafts at Tsinghua University in 2014. She received her bachelor’s degree in design art in 2018 and continued her postgraduate study in the same major. She is currently a PhD candidate in 2021 from the Department of Arts and Crafts at Tsinghua University. Yue’s artistic practice conveys her thinking that death is a part of life, while she also explores the relationship between conception and the female body. Black and red yarn, as recurring materials, has become the inner symbolic bond of her works. Her work focuses on both textural differences in textile materials, hand embroidery and digital embroidery. Yue’s personal and collaborative works cover fiber and textile art, photography, painting, drama and short films. Her selected exhibitions include solo exhibitions in Beijing 1911 Space, Art and Education Center of Tsinghua University, and Cité internationale des arts; group exhibitions at M50 Creative Park in Shanghai, Tsinghua University Art Museum in Beijing, Orga Art Museum in Beijing, and Guan Shanyue Art Museum in Shenzhen.
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Curator: As a young emerging artist, what triggered you to look at gender issue and motherhood and create the red gauze projects?


Yue: The initial motivation of these red yarn projects was closely related to another series about Death. After discussing and exploring death, I wanted to return to the environment at the very beginning of life. This installation also refers to “The Handmaid’s Tale”. I want to bring the audience back to mother’s womb, creating a simulated environment that we can be wrapped by. During the production of the work, I kept communicating with friends about my idea and some of them even helped me to shape the work. Although there were male friends involved, more talks were occurred between female friends. Especially when we talked about fertility and giving birth, I felt safer when talking with female community as we have the same organs, the womb, which is shaping our collective social role and attribute.








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Curator: During the exhibitions, you encouraged audiences to walk in and touch the installations. How is that important to understand this work?


Yue: I am not afraid of any damage to the work at all, especially for this installation work. From the outside, it looks like a soft shell, you won’t see the structure inside until you walk into it. It has some network cables like umbilical cords, and that creates the experience of being entangled and wrapped. I think the most important idea is that you are inside, maybe for a single moment there will be some emotional resonance between you and the work. This was the idea I had when I started the project, and I believe it is the best way to visit it.


Curator: There is a debate that “womb” shackled women to a certain role and it is an obstacle for feminism. What do you think the meaning of “womb”? Can it be neutral?


Yue: On the one hand, the womb largely determines the social role of women. It is precisely this fertility that may bring oppression to women or leaving them in a worse life condition. Especially for women at the bottom of society or the regions where feminism is still in its infancy, we witness greater oppression, and they may suffer all their lives because of this organ. But from another perspective, the meaning of the womb to me is still sacred, because it can create and nurture life, like Creator. Although I am not a mother yet, I have such an organ, which I think is remarkable.


Curator: You express the beauty, gentleness and passion of giving birth through this work, could it actually conceal the invisible and traumatic labor both physically and mentally?


Yue: Pain and beauty may be convertible and do not conflict. From my current point of view, the process of pregnant and giving birth are accompanied by both pleasure and pain. So there may be two orientations of artistic expressions. For me at this stage and age, it tends to be positive, sacred and mysterious.









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Curator: You express the beauty, gentleness and passion of giving birth through this work, could it actually conceal the invisible and traumatic labor both physically and mentally?


Yue: Pain and beauty may be convertible and do not conflict. From my current point of view, the process of pregnant and giving birth are accompanied by both pleasure and pain. So there may be two orientations of artistic expressions. For me at this stage and age, it tends to be positive, sacred and mysterious.


Curator: What about the current context of Chinese young contemporary artists especially the female ones?


Yue: My fellows and I are particularly lucky. When we were in the university, there was no distinguishment between genders and no division of labor. Girls are very free to choose and can do what they want, such as independent artists, filming documentaries, or pursuing post graduate studies. As for the issue of gender equality, from a social perspective, the current situation in China is actually unsatisfactory. But the art domain and our community are fortunate to have a lot of space, the right to choose and the ability to express. But I know there are many real problems that I don’t experience myself. The initiator of my latest exhibition was a woman who distributed hygiene products to female medical staff in Wuhan during the pandemic. I think they are real practitioners, and actionable warriors who dedicated themselves to social work.
















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		<title>CaoYue Studio</title>
				
		<link>https://yuemingyue.com/CaoYue-Studio</link>

		<pubDate>Sat, 03 Sep 2022 12:06:01 +0000</pubDate>

		<dc:creator>yuemingyue</dc:creator>

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&#60;img width="2255" height="898" width_o="2255" height_o="898" data-src="https://freight.cargo.site/t/original/i/2fafc6cc8739959b2b8c046aa5a284a12682758a6a56edd956f8add8d30da80b/cao-yue-logo.jpg" data-mid="161471093" border="0"  src="https://freight.cargo.site/w/1000/i/2fafc6cc8739959b2b8c046aa5a284a12682758a6a56edd956f8add8d30da80b/cao-yue-logo.jpg" /&#62;



	
	CAO&#38;amp;YUE团队创始人来自于清华大学美术学院。我们热爱非遗文化，致力于发展手工艺文化，传播东方式的生活美学。以现代设计重构当代艺术生活方式。我们面向未来，同合作伙伴一起创造独特、高品质、富有文化深蕴的艺术品。
	





	
	










CAO&#38;amp;YUE team comes from the Academy of Arts and Design,&#38;nbsp; Tsinghua University. Intangible cultural heritage is our passion. We’re devoted to developing the artisanal handicraft culture and spreading Eastern lifestyle aesthetics, reconstructing a contemporary art lifestyle with modern design. We’re forward-thinking creators who work with our partners to make unique, high-quality, culture-rich works of art. 

&#38;nbsp;




	



	
	&#60;img width="2255" height="1795" width_o="2255" height_o="1795" data-src="https://freight.cargo.site/t/original/i/aaf91e8b7111d6d5735306c7137a9834c9d53ddc12b5a60a668a1c80b7f51586/custom-made-Shu-brocades-04-04.jpg" data-mid="161477803" border="0"  src="https://freight.cargo.site/w/1000/i/aaf91e8b7111d6d5735306c7137a9834c9d53ddc12b5a60a668a1c80b7f51586/custom-made-Shu-brocades-04-04.jpg" /&#62;
	
Exquisite Brocade, 2019
Vanke’s Chengdu Tianfu Jinxiu real estate development (Shu brocade, VIP lobby reception
artwork, and silk scarf gifts)

Maison&#38;amp;Objet Design Award China, GOLD AWARD, 2020

	
		
		
	
	
		
			
				
					
						
	


	
	Cartier Brocade-Flower, 2022-2023This project is a collaboration with Cartier to create a customised artwork of Chengdu's regional speciality Shu brocade weaving.


	&#60;img width="4961" height="2834" width_o="4961" height_o="2834" data-src="https://freight.cargo.site/t/original/i/db49e16d5000283e85ad26519eb9a4e35d08990967226a1b1d310ff5aa89ba93/.jpg" data-mid="200102536" border="0"  src="https://freight.cargo.site/w/1000/i/db49e16d5000283e85ad26519eb9a4e35d08990967226a1b1d310ff5aa89ba93/.jpg" /&#62;
	

	
	
	
	&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/a20275b9be9f10c6601f5b7f24a1e61b98fc0b55c4411b43fbdc90e1abf7c544/2023040613463158213.jpg" data-mid="200102541" border="0"  src="https://freight.cargo.site/w/1000/i/a20275b9be9f10c6601f5b7f24a1e61b98fc0b55c4411b43fbdc90e1abf7c544/2023040613463158213.jpg" /&#62;
	Cartier Embroidery-Mountain, 2022-2023
We also produced the artwork project for the Cartier Fuzhou.
	


	
	 
Chongqing Exquisite Brocade, 2019
This project is a collaboration with MatrixDesign to create a customised artwork of Chongqing's culture.

	&#60;img width="1724" height="1050" width_o="1724" height_o="1050" data-src="https://freight.cargo.site/t/original/i/bcfd544b037a090e474085c9ab4f822b42fedc2b70fe44aa4b09518a74a6ddf6/2024-03-02-22.10.08.png" data-mid="205893692" border="0"  src="https://freight.cargo.site/w/1000/i/bcfd544b037a090e474085c9ab4f822b42fedc2b70fe44aa4b09518a74a6ddf6/2024-03-02-22.10.08.png" /&#62;
	


	
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6109dfdbb194eb832c40c090a1ab67d06802139449c94f04a3cb53c2937ad5a8/-proposal.jpg" data-mid="205893672" border="0"  src="https://freight.cargo.site/w/1000/i/6109dfdbb194eb832c40c090a1ab67d06802139449c94f04a3cb53c2937ad5a8/-proposal.jpg" /&#62;
	Changing Landscape, 2022Changing Landscape is an installation created with Shanghai Shikuang using recycled yarn.
	

	
	The 11th FROM LAUSANNE TO BEIJING FIBER ART BIENNALE EXHIBITION, 2021
Visual Design and online exhibition design
	&#60;img width="3842" height="2162" width_o="3842" height_o="2162" data-src="https://freight.cargo.site/t/original/i/53d7b9d802980ffb8c1a207ab143011e1324d2d31a58c5a03a7f3d345c6c538d/.jpeg" data-mid="161820781" border="0"  src="https://freight.cargo.site/w/1000/i/53d7b9d802980ffb8c1a207ab143011e1324d2d31a58c5a03a7f3d345c6c538d/.jpeg" /&#62;
	


	
	&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/fbae17b66168746dab557d7748cdff44f8f04440d5de775017148db6f1cfe589/.jpg" data-mid="161480026" border="0"  src="https://freight.cargo.site/w/1000/i/fbae17b66168746dab557d7748cdff44f8f04440d5de775017148db6f1cfe589/.jpg" /&#62;
	Gifts for the 75th United Nations Day, 2020UN75: 2020and Beyond - Shaping Our Future Together
	


	
	
	
	
	
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		<title>Slideshow</title>
				
		<link>https://yuemingyue.com/Slideshow</link>

		<pubDate>Tue, 29 Oct 2019 20:36:46 +0000</pubDate>

		<dc:creator>yuemingyue</dc:creator>

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		<title>Concealments, 2021</title>
				
		<link>https://yuemingyue.com/Concealments-2021</link>

		<pubDate>Sun, 09 Oct 2022 12:29:34 +0000</pubDate>

		<dc:creator>yuemingyue</dc:creator>

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Concealments
Yue Mingyue, 2021






































water light yarn, silk yarn260cm x 130cm


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Yue Mingyue, 2021water light yarn, silk yarn260cm x 130cm


	


	











Concealments (2021) focuses on the issue of menstrual shame. I recreateda womb with abstract machine embroidery and presented it in public. The exhibition site also offers room for women forums to be held to facilitate further exchange. 


It was quite gratifying that the exhibition managed to draw more attention to the lack of menstrual hygiene products for girls in some remote mountainous areas. 




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Concealments,2021,&#38;nbsp;Shanghai Times Square

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Blessed be the Fruit, 2018, 2021 in Shanghai Times Square

</description>
		
	</item>
		
		
	<item>
		<title>Female Worker Crossing the Rosen Bridge, 2021</title>
				
		<link>https://yuemingyue.com/Female-Worker-Crossing-the-Rosen-Bridge-2021</link>

		<pubDate>Sun, 07 Nov 2021 08:16:21 +0000</pubDate>

		<dc:creator>yuemingyue</dc:creator>

		<guid isPermaLink="true">https://yuemingyue.com/Female-Worker-Crossing-the-Rosen-Bridge-2021</guid>

		<description>
	
	

	
















Female Worker Crossing the Rosen Bridge
Yue Mingyue, 2021



























water gauze, thread, digital embroidery, hand embroidery, spray paint150cm x 150cm


	


















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Yue Mingyue, 2021water gauze, thread, digital embroidery, hand embroidery, spray paint150cm x 150cm


	
&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/c69c526942c4cf3920509083f54f8de025ca70ac66bdc38d40fce26a98b15ef2/1.jpg" data-mid="123788243" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/c69c526942c4cf3920509083f54f8de025ca70ac66bdc38d40fce26a98b15ef2/1.jpg" /&#62;&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/fe530d762c8b125e0735bac899a4117cc10d40ffe3eeb8b937d3177021ac0e72/2.jpg" data-mid="123788244" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/fe530d762c8b125e0735bac899a4117cc10d40ffe3eeb8b937d3177021ac0e72/2.jpg" /&#62;&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/042a29d9fc5dbd63450c225d229f236424da328fa177fba6ba3d87c35fb12f42/3.jpg" data-mid="123788245" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/042a29d9fc5dbd63450c225d229f236424da328fa177fba6ba3d87c35fb12f42/3.jpg" /&#62;Creation manuscript, Yue Mingyue, 2021


	This artwork is about female and labor of the times. It’s said that women usually do weaving, but also do farm work for farming busy time. Yue's work continues the "weaving" work, using hand embroidery and digital embroidery to complete embroidery on the yarn. The works present elements such as "women", "wheat", "farming", "weaving" and "wormhole". The vertical direction of the work shows the passage of time, and the horizontal direction displays the extension of space. "Rosen Bridge" serves as a passage in the work, connect-ing female workers of the two eras. The female workers in the picture take charge of two tasks farming and weaving. Yue hopes her work can inspire people to think about the position of women in different eras and reflect the coincidence of traditional and modern labor.
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&#60;img width="3924" height="2616" width_o="3924" height_o="2616" data-src="https://freight.cargo.site/t/original/i/344a7916c1d35655e247bfa34a1e6bda6e693e94b9a60e19ed1066d319193fc6/WechatIMG20874.jpeg" data-mid="123788273" border="0"  src="https://freight.cargo.site/w/1000/i/344a7916c1d35655e247bfa34a1e6bda6e693e94b9a60e19ed1066d319193fc6/WechatIMG20874.jpeg" /&#62;work details
This work was exhibited at the "Moment, Present—Along with Her" art exhibition at Shanghai Duolun Museum of Modern Art. This exhibition takes "female" and "labor" as the two main themes. The installation of the works creates a special projection through suspension and lighting, which echoes the time and space between the real and the virtual.
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&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9c27375485cd8e3702f5e91eb66383a55f9d63f553333e4e2470647c972e5780/.jpeg" data-mid="123788544" border="0"  src="https://freight.cargo.site/w/1000/i/9c27375485cd8e3702f5e91eb66383a55f9d63f553333e4e2470647c972e5780/.jpeg" /&#62;Shanghai Duolun Museum of Modern Art，2021

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	<item>
		<title>Cosmic Speculation(2), 2021</title>
				
		<link>https://yuemingyue.com/Cosmic-Speculation-2-2021</link>

		<pubDate>Sun, 31 Oct 2021 13:30:08 +0000</pubDate>

		<dc:creator>yuemingyue</dc:creator>

		<guid isPermaLink="true">https://yuemingyue.com/Cosmic-Speculation-2-2021</guid>

		<description>
	
	

	
















Cosmic Speculation(2)
Yue Mingyue, 2021



























water light yarn (PE), silk yarn



40.5cm x 50.8cm
BE SOLD
	


















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	</item>
		
		
	<item>
		<title>Cosmic Speculation(1), 2021</title>
				
		<link>https://yuemingyue.com/Cosmic-Speculation-1-2021</link>

		<pubDate>Sun, 31 Oct 2021 13:25:00 +0000</pubDate>

		<dc:creator>yuemingyue</dc:creator>

		<guid isPermaLink="true">https://yuemingyue.com/Cosmic-Speculation-1-2021</guid>

		<description>
	
	

	
















Cosmic Speculation(1)
Yue Mingyue, 2021



























water light yarn (PE), silk yarn



40.5cm x 50.8cm
BE SOLD
	


















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